FetCI-PO 24
Facilitators
Matthieu Gaudeau
Actor -Dancer-Teacher of the Alexander Technique.
He has worked as a performer since the end of the 90s within live performance companies and collectives. Between 2004 and 2006, he co-directed the collective “La Gouttière” within which he developed performative theater-dance work.
From 2009, he followed training for Alexander Technique teachers and is passionate about teaching, human gesture, approaches to embodied cognition (notably the enactive approach) and attentional dynamics. He participates in the ICI and ICrEA project (dance and neuroscience project, CNRS). These action research projects, developed in a community of practice (neuro-scientists, psychologists, anthropologists, philosophers, educators, improvising artists) took improvisation as an epistemological framework – a research tool and not an object of study – to constitute an observatory ecological of interactional dynamics, through which affordances (GG Gibson), attention and affects become entangled; founding member he plays a central role in the development of experimental protocols around attention and joint attention.
Between 2014-2018, he organized with Asaf Bachrach and Emma Bigé, a series of workshops on the question of landscape, mixing philosophical approaches and maps of attention, based on the maps of F.Deligny and the micro-interview. phenomenological.
He was co-organizer of the International Contact Improvisation Meetings in Paris. He teaches CI regularly in France and abroad.
Matthieu is a certified Alexander Technique (ATI) teacher. His approach is nourished by the work of Hubert Godard and David Gorman. He is passionate about the organization of human movement, the relationships between posture, attention and perception. He has worked with people suffering from Alzheimer's and Parkinson's disease. His approach is at the crossroads of Contact Improvisation, martial arts in their internal dimension and the Alexander Technique.
Celine Robineau
"Taking sideways paths, I dance and teach with joy, fervor and bounce. I work to seek new paths in the body, meet dance partners, some non-human, to form hybrid bodies, approach the dance movement as a political space.
I train and engage in improvisation, at the Life Art Process in the United States where I assist Anna Halprin, I fall into contact improvisation which reveals to me a field of dialogue, a sensitivity of touch and tactile cooperation never before still explored. I co-founded L'Oeil et la Main and organized workshops, festivals and other initiatives where words and bodies meet and inform each other. My dance still evolves through contact with singing and then with perceptual pedagogy (Danis Bois) in which perceptions are refined, but also links between perception and cognition in relationships of transformation.
I like to learn from the sea, the trees, the horizon and the wind at home about sensitive, poetic and moving body states. I teach in the heart of landscapes, in the studio, school environment or in water, creating forms that meet territorial issues and current reflections (gentrification, gesture of love in public space), which question borders and relationships with the world (the Water you drink has known the sea, the Paper Woman, Anima…)."
Kim
a dancing consciousness.
Dancing elf, creator , player, optimist, dancer, builder, enthusiastic, curious, dancer, walker, independent, big and small, dancer, blue, red and green, botanist, calm and dynamic, dancing black sheep, polifasetik and….
Having left school before I was formed or deformed, and a misfit since adolescence, I am primarily self-taught.
A lifelong fan of alternative and “green” living, both outdoors & inside.
In dance since 1990, (facilitator) when I discovered the dancer inside me with Anna Barton in Findhorn, mainly in traditional and Folk dance, then also BioDanza, 5 Rhythms, Authentic, Spontaneous or the 1001 appearances on my path.
And passionate about CI since 2015…
With Nita Little, Gogo Petrali, Charlie Morrissey, Daniel Werner, Mathieu Gaudeau, Maria Mora, Ramon Roig on my way, among others...
CI is a philosophy of life. Movement creates emotion.
I don't teach, everyone learns.
To begin this Festival, I invite you to see and review CI principles in a creative and playful way.
_JPG.jpg)
Corentin Coko
(accordion and lots of other little things)
Corentin Coko is a singer-songwriter, with several records and shows to his credit. Collaborated with Ogres de Barback, Michèle Bernard, François Morel, La Mal Coiffée, Manu Théron, HK, Mouss & Hakim, Laurent Cavalié, etc. He likes to play for dancers, in improv contact, but also in folk dances, with his trio Les Dormeurs du Bal (active since 2006). He is one of the founders of the Danseruna festival, which mixes folk, contact improvisation, and tango.
Lionel Banevitch
Lionel is a musician, dancer, composer and improviser, accompanied by a bass, a baglama saz, his body and his recycled sound objects put through the loopers' mill, he will be inspired by your movements for a musical and bodily journey...
Mars Drum
(Martial SANJOSE)
Let yourself be carried into the world of Mars Drum on an inner journey with mystical and relaxing colors, an electronic and acoustic mix between the singing bowl, Zagdrum, Hand Pan, Wave Drum, didgeridoo, Sanzula jaw harp, Kora Udu Bata, shaman drum. Let the music speak, your imagination will be able to develop deep within you.
A seasoned percussionist, he performs solo and in several musical groups, plays several instruments, with a predilection for the Hand Pan.
With nearly 250 concerts to his credit, he has been scheduled, with various projects, on the international stage of the Hand Pan Festival since 2014.
A fervent fan of street music, he is also found on stage in the groups A-BAL', LA BRINGUE, UN AIR DE FETE, EMANE, but also solo in centers for disabled people, as close as possible to a attentive audience that the artist enjoys meeting.
